I thought about the title of this post for some time. ’Another’ suggested I had completed quite a few sketchbooks, which I haven’t, as I am new to drawing. I have slowly worked my way through a small number with my latest being a blank Baron Fig pocket Confidant. It's the first time I’ve used this brand as a sketchbook.
The Baron Fig pocket Confidant made a pretty good sketchbook. I wanted to try a pocket size for its portability and also wanted something with a hard cover. I chose a Baron Fig Notebook as it's a notebook I use for other purposes and therefore one I am familiar with. I was hoping that the familiarity would make my drawing less pressured and more free.
The pocket Confidant has a hard cover, I chose the darker Charcoal colour as I thought this would wear better. The hard cover meant that the notebook had some stability which I would need for sketching on the go. There are 192 pages of the standard Baron Fig paper with their signature yellow ribbon.
What I have learnt from this sketchbook.
As I am new to sketching it is not something that comes naturally to me. With each sketchbook I work through I am trying consciously to learn in the hope that I improve and that it becomes second nature.
With this sketchbook I tried to experiment more than I had done in the past. I set out to use this sketchbook with a black ink pen, inspired by Patrick Vales Instagram posts. I wanted keep things simple and just sketch. I stuck to this for a while but after seeing artists sketchbooks online I introduced coloured pencils.
Coloured pencils felt familiar, from childhood, and easy to use. There are a number of artists that I follow who use coloured pencils as their preferred tools. Like them I wanted to find a small palette that I could use, no matter the subject matter. By not worrying about replicating the colours in front of me and using my imagination, then perhaps my drawing would improve. I couldn’t find a flow with this but it’s something I want to keep coming back to.
I spent some time using only graphite pencils to try and be fluid with my sketches. The loose style you can achieve with graphite has always been appealing and it was also an excuse to use the softer graphite pencils I have lying around. The only thing that ever really bothers me about graphite is the smudging and the marks left over time that start to blur your drawing.
I returned again to a black pen enjoying the feel of the pen tip on the page. There is something very satisfying about it. Using an ink pen makes me more decisive with my lines. The theory then being that this encourages me to learn from my mistakes, wrong proportions and poor imitations and want to make them better the next time.
Due to the pocket size of this sketchbook detail wasn’t a luxury I had. Everything had to be simple. In this sketchbook I have drawn a lot of people and I am awful at drawing people. I enjoy watching people, noticing their expressions, the shape of their features and attempt, poorly, to replicate them. Plus there are always people to draw.
I am starting to understand that the key to my sketching journey is to change things up and to keep finding inspiring artists to learn from. Trying new tools and ideas will open me up to new techniques and styles.
In this instance the pocket notebook was the perfect companion and the unofficial sketchbook nature helped a lot. My next sketchbook will be different again and hopefully will teach me different things. I feel confidant in saying that for a sketchbook that I carry around I want a simple set up. Sketchbook and black pen seems to work pretty well.